![]() Kansas City jazz, a distinct style heavily rooted in the blues tradition, as well as ragtime, contributed greatly to the Continue reading The Best Places to See Live Jazz in. The character of the city was conductive to musicians who could easily find a job in one of many clubs (JAZZ a Film by Ken Burns 2012). ideas in a framework that can be developed, shared, and communicated effectively to fellow musicians and audience members. Much like barbecue and speakeasies, jazz is deeply ingrained in the city’s identity. It is a must read for everyone who loves jazz or American music history. THE MUTUAL MUSICIANS FOUNDATION For the past century, Kansas City has been home to one of the country’s most vibrant jazz scenes. 19452012), many of which depict influential jazz musicians and vocalists he met. Kansas Citys source to find Live Jazz 365 Days a year Kansas City’s long standing tradition of jazz music is stronger than ever right now. ![]() Kansas City Jazz is the definitive account of the raw, hard-driving style that put Kansas City on the musical map. In the Kansas City of the 1920s, 1930s, and 1940s, the 18th and Vine. The lives of the great musicians who made Kansas City swing are illuminated, with colorful profiles of jazz figures such as Mary Lou Williams, Big Joe Turner, Jimmy Rushing, and Andy Kirk and his "Clouds of Joy." At one time, there were more than 100 night clubs, dance halls and vaudeville houses in Kansas City regularly featuring jazz music. Why is Kansas City world famous for jazz Explore the golden era of Kansas City jazz through historic images and audio recordings with Kent Rausch of the. The authors show how this wide-open, gin-soaked town gave birth to a music that was more basic and more viscerally exciting than other styles of jazz, its singers belting out a rough-and-tumble urban style of blues, its piano players pounding out a style later known as "boogie-woogie." We visit the great landmarks, like the Reno Club, the "Biggest Little Club in the World," where Lester Young and Count Basie made jazz history, and Charlie Parker began his musical education in the alley out back. Only in Kansas City did jazz continue to flourish. But there has never been a serious history of the fourth, Kansas City, until now.In this colorful history, Frank Driggs and Chuck Haddix capture the golden age of Kansas City jazz, and bring us a colorful portrait of old Kaycee itself, back then a neon riot of bars, bambling dens, and taxi dance halls, all ruled over by Boss Tom Pendergast, who had transformed a dusty cowtown into the Paris of the Plains. There were four major galaxies in the early jazz universe, and three of them-New Orleans, Chicago, and New York-have been well documented in print.
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